Publishing Info: October 17, 2017 by Macmillan, Tor Books
Source: Audible
Genres: Adult, Fantasy
Date Completed: November 17, 2017
Find it on the web: Buy from Amazon // Goodreads
Related Posts: Mistborn: The Final Empire (Mistborn #1), The Well of Ascension (Mistborn #2), The Hero of Ages (Mistborn #3), The Alloy of Law (Mistborn #4), Legion (Legion #1) & Legion: Skin Deep (Legion #2), , The Emperor's Soul, The Eleventh Metal (Mistborn #0.5), , Firstborn, Shadows of Self (Mistborn #5), The Bands of Mourning (Mistborn #6), Calamity (The Reckoners #3), , Perfect State, Mistborn: Secret History (Mistborn #3.5), Shadows for Silence in the Forests of Hell, Elantris, The Rithmatist (Rithmatist #1), Warbreaker (Warbreaker #1), The Way of Kings (The Stormlight Archive #1), Snapshot, Words of Radiance (The Stormlight Archive #2), Oathbringer (The Stormlight Archive #3)
Three years ago, Lift asked a goddess to stop her from growing older--a wish she believed was granted. Now, in Edgedancer, the barely teenage nascent Knight Radiant finds that time stands still for no one. Although the young Azish emperor granted her safe haven from an executioner she knows only as Darkness, court life is suffocating the free-spirited Lift, who can't help heading to Yeddaw when she hears the relentless Darkness is there hunting people like her with budding powers. The downtrodden in Yeddaw have no champion, and Lift knows she must seize this awesome responsibility.
Sooooo I didn’t like Lift’s interludes in WORDS OF RADIANCE so I was worried about reading this novella. LIft’s voice is young — a little too young for me, especially with the way that Kate Reading narrates it (I listened to the audiobook for all of the Stormlight Archive novels) — and I have a hard time with characters who are meant to intentionally sound young/uneducated/use a lot of slang so I knew it wasn’t going to be a… pleasant listen, but if there’s a practically full-length novella for a Brandon Sanderson series, obviously it’s important.
… Except EDGEDANCER really wasn’t as important as I had hoped. I am glad to have this piece of world-building and character development but to have a whole story aside didn’t really seem to add that much to the current world that couldn’t have been included in OATHBRINGER. I heard in the notes of one of the books (it’s been a couple months by now so I’m not entirely sure which one it was) that Brandon Sanderson felt that Lift was very important and wanted to include her actual sort of “origin story” with how she discovered and came into her abilities. Personally, I didn’t think this piece was crucial to the main storyline but since she does become a bigger character in OATHBRINGER, I do understand the feel for it. Even though I read this before OATHBRINGER, it’s been a couple months since I’ve read them both and Lift’s narration isn’t as bad with Michael Kramer’s narration. He always does a much better job with younger voices, having them sound more jaunty and upbeat versus Kate’s narration which is usually just irritating.
I also found Lift’s interactions with her Spren irritating as well (or maybe it was Kate Reading’s voice. Or both.) due to her actions and Wyndel’s overreactions to them. They just weren’t jiving for me. I did like seeing a new Radiant/Spren relationship though and it was an important piece of the magic system.
This extra character arc just didn’t seem as important as I had hoped and the character herself is a little irritating. Thankfully it wasn’t as bad in OATHBRINGER and I wouldn’t say I regret reading it or would have skipped it but I’m also not super invested in it either.
Kept Me Hooked On: Radiant/Spren relationships. I meannnnnn I didn’t really love anything in this novella but it was nice seeing more of that Radiant/Spren bond.
Left Me Wanting More: Adults? The whole voicing was young and in an unpleasant way. I think Brandon Sanderson’s adult works are definitely better written although I have enjoyed some of his middle grade novels as well. This just didn’t jive for me.
Addiction Rating
Consider it
I didn’t feel it was SUPER important but usually if Brandon Sanderson includes a novella, there’s a reason for it. Maybe others benefit more from it? I was more distant because I didn’t love it.